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Pattern Making
Pattern Drawing was challenging. I was struggling so much in class and honestly I didn't finished it in class so I went home to continue. I didn't have any prints in class.. I was redoing and so occupied with pattern generation that robbed my fun of trying new things. I took inspiration also from some of the furnitures at home. These are mini hangers and cushion covers.


01
02
Pattern Drawing
Transfer to Lino. Cut.


03
Stamp!

Make a Moodboard
Theme: Omakasé in Kyoto
1. Kiyomizu-dera Inspiration
I have drawn inspiration from Kiyomizu-dera which I saw during my trip to Kyoto. The design elements, particularly the roof structure, have influenced the geometric, mirrored repeat pattern I have used in my prints. I applied mirror repeat which ties into the architectural symmetry of the temple. I then applied diamond repeat pattern with another lino block that I designed to create a Japan-inspired "plate".
2. Pathway to Kiyomizu-dera
I used mark-making method by stamping paper ball onto the paper to create a dirty texture. I then cut out the Lino block to resemble pebbles which reminded me of the pathway that I walked before reaching Kiyomizu-dera.
3. Chopsticks and Sushi Prints
The "chopsticks" were made from leftover paper which add an interactive, 3D element to the final work. This playful integration helps tie the experience of eating sushi with the act of creating the art, merging both visual and physical experiences. The various sushi types like otoro nigiri, ikura gunkan and tekka maki (the sushis that made me go wowww) are carved onto the lino block. I added small thin cuts where necessary to create contours and highlights which adds details and textures to the final prints.

Reflection
It was my first time doing Lino cutting and it has taught me the importance of being patient and cautious. The cutting process requires steady hands and patience to carve out the intricate patterns. I learned how each cut (angle, depth, length) can drastically change the outcome, making me more mindful of the decisions that I make.
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Pattern making, on the other hand, have expanded my understanding of repetition and symmetry in design. Through the exploration of how different shapes and motifs can be arranged to create visually appealing pattern and composition.
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Experimenting with negative space and texture also deepens my understanding on contrast and balance that are crucial in visual design.
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